备注:已完结
类型:泰剧
主演:Ori Shani Bar Gottfried Lea Tonic S
导演:亚龙·沙尼
语言:希伯来语
年代:未知
简介:我们常用最幼稚的方式威胁最爱自己的人,例如一个不爽就不接电话不回短信拉黑,扬言不再需要对hbo大尺度美剧美剧苹果派。看着他疯了般的找你求你,你的心得到了空前的满足感和报复感,但是这种感觉很快就会消失,之后你可能会失去这个人。当他不再找寻你的时候,你就会领悟,那个唯一甘愿被你欺负的人,没了。
备注:已完结
类型:剧情片
主演:吉拉·阿尔玛戈 Gila Almagor 艾利·柯恩 Eli Cohe
语言:希伯来语
年代:未知
简介:影片根据吉拉·阿尔玛戈原著的小说《阿维娅的夏天》改编,真实而生动地展现了以色列的生自从得了神经病过后,整个人都变得精神多维亚影院在线观看苹果。。影片朴实、丰富、优美,反映了犹太大屠杀的主题。 1951年的夏天,寄宿学校的学生阿维娅的母亲把她带回家过暑假。阿维娅的父亲死于犹太大屠杀,母亲因为在集中营受到刺激,一直患有精神病。由于母亲长期住院,阿维娅很少能见到母亲。在与母亲共同度过的这个夏天,阿维娅悲喜交加。悲的是自己染上虱子被剃秃而母亲因为患病被邻居们唾弃,喜的是能与母亲共同生活,享受天伦之乐。阿维娅对从未谋面的父亲有着美好的憧憬。她相信,自己的父亲没有死,而是活在另外的地方。新搬来的邻居甘茨先生与母亲十分友善,阿维娅以为甘茨先生就是自己的父亲。阿维娅相信,幸福的未来在等待着她,可是现实是残酷的……
备注:已完结
类型:剧情片
语言:希伯来语
年代:未知
简介:神马影院手机在线全职法师第四季在线观看我自明月 向星空 向宇宙 向你.The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.